Dear Readers,
As the title of the blog
indicates I am planning to share some of my memorable moments and experiences
and I think I’ll begin with this particular experience which gave me an immense
joy. Probably I’ll never be able to experience it again. Here it goes.
Every year Bombay
Municipal Corporation (BMC) organizes Drama competition among all the employees
of BMC. One of the entries for this year’s competition was KEM hospital. Since
last three years I have come in contact with lots of people from KEM hospital
(which is a topic for different article) and some of them have become very
close friends. Among those, there are two very talented doctors Dr. Adwait
Godse and Dr. Raghavendra Ramdasi (We call him Prasad). Adwait was playing an
important character in this drama which was based on the concept of poetry
therapy. Prasad, apart from being a neurosurgeon, is a very talented poet much
like Kusumagraj and he composed a beautiful song for this drama specially. He
had a tune in mind based on Rag Des and it was decided to record the song. Now
the question arose about accompaniments and singer. One of KEM’s undergraduate
students Siddhi was asked to sing and I was asked to accompany on Tabla. Prasad
came to my house that evening. We fixed the tune, practiced it once and went to
T9 studio, Mahim for recording the song around 7.30 pm.
My first reaction after
entering the studio was, “Oh wow!!! We have entered a different world”. Before
this I always wondered how the entire process worked out. This was a real
chance to experience it first-hand. First the song was recorded in Prasad’s
voice with Beats per Minute sounding like “Click” in the background. At that
time I realized how difficult it was to sing in a fixed rhythm and trust me you
can go wrong if you miss even half a bit. All the mistakes that we make while singing
casually, without realizing, seemed to magnify in the studio. Anyways after 2
takes it was called “Ok”. Now it was my turn to play Tabla. So I entered the
sound proof room where I was supposed to sit and arranged the Tabla. The studio
engineer, Elton, instructed me as to how to proceed. I was supposed to play
Tabla based on the earlier recorded track in Prasad’s voice along with Clicks.
To my pleasant surprise it was “One take Ok”. Still to be on the safer side we
recorded the Tabla again. Wow!!! What a great feeling it was. I simply cannot
express that in words. One thing I never thought I’ll be able to do in my life
was suddenly accomplished. Next day we recorded the actual song, this time in
Siddhi’s voice. She finished the recording in like 15 minutes like a
professional singer. Once this was done there were 3 layers of the sound track
Siddhi’s vocal, my Tabla and background harmonium and tanpura. Elton mixed
these 3 layers with the help of a software (which is apparently really
expensive), adjusted the fine notes, added some reverb, basically optimized it
and finally the song was ready to be used in the drama.
Me
with the composer Dr. Raghavendra Ramdasi (Prasad). Photo credits: Dr. Adwait
Godse
All in all, it was a
really thrilling experience for me. It gave me a new insight into the world of
recording and sound. And as the song was based on Indian Classical Music, for
me, it was like icing on the cake!! I hope I get to attend and even play in
some more recordings if time and luck permit!!! And let me say this, if you get
such an opportunity don’t let it go!!!!
Mihir
Mihir
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